Making jewelry in Ubud feels like play, not homework. This workshop is all about designing your own piece (rings, bracelets, pendants, earrings, or something new) with Balinese silversmith guidance, plus a big crystal and gemstone shop to pick from. I especially like how patient the team is when you change your mind and how much control you have over your final look. One thing to consider: the listed price is mainly the class fee, while materials and stones cost extra based on what you choose.

You get 150 minutes in the studio time, in a relaxed setup that’s been described as calm and friendly—more hangout than factory. I also like the budgeting clarity: you pay per gram for silver or brass and you can keep it simple if you want. Just know you may spend more if you add extra stone settings, gold plating, or extra time.

Key highlights worth your attention

• You design it, and you make it: staff guide you, but you’re doing the hands-on work.
• A crystal-and-stone shop you can use during the class: browse so you’re not rushed picking a gem.
• $30 is the class fee: silver/brass grams and stones are extra, so the final total depends on your choices.
• Up to 1 stone setting is included: additional settings cost extra.
• Extra design is free, but time matters: go wild fast; extended time costs more.
• Raymond and the team keep things friendly: multiple reviews highlight patience and clear help.

Entering the Garden near the Japanese Bamboo Library

This is the kind of Bali activity that starts with a simple vibe: you show up, enter The Garden, and you’re directed to a spot in the left corner by a Japanese Bamboo Library. That small bit matters because Ubud can be chaotic around ceremonies—traffic can slow down fast, and road closures are common.

Plan your day with a little buffer. If vehicles aren’t moving within a 1 km radius from the studio, the guidance is to swap four wheels for two feet and stroll. In Ubud, that’s not punishment. It’s part of the experience—cool air, side streets, and the sense that you’re moving through a real place, not just a timetable.

The class itself is 150 minutes, and you skip the ticket line. If you’re used to tight, guided-tour schedules, this one feels more like a workshop where the pace is yours—within the studio time you booked.

The real price deal: $30 class fee plus materials by the gram

Here’s the part that keeps this from being one of those “cheap until checkout” experiences. The headline price you’ll see (about $30 per person) is the class fee only. Materials are priced separately and can vary day to day, and you only pay for what you use.

You’ll see the rates clearly:

• Silver: 85k per gram
• Brass: 30k per gram
• Gold plating: 60k per gram
• Gold is available on request (so you’ll need to ask)
• Stones & crystals start from 8k
• Extra stone setting: 25k each (the first setting is free, stones aren’t included)
• Extra design is free, but you need to keep it moving
• Extra time: 100k for each 60 minutes

So what does that mean for value?

If you pick brass and keep stones limited, you can make a beautiful souvenir without the total bill creeping up. If you want heavier silver, multiple settings, or gold plating, the workshop becomes a “choose your level” purchase—still fair, but not the same as a flat-price souvenir.

Also, you’re not paying just for a finished object. You’re paying for studio time, guidance, and the freedom to create something personal. Several people specifically called out that the team is patient when you redraw or adjust your design, which is exactly what you want in a hands-on workshop. A fixed-price class that doesn’t give you time to think usually turns into stress. Here, the structure gives you room to get to a piece you actually like.

Silver, brass, gold plating, and stone settings that control your budget

This workshop gives you more metal choices than many Bali jewelry classes. You’re not stuck with one option, which is a big deal when you’re trying to match your design to your budget.

Brass vs. silver (how to choose)

• Brass (30k/gram) is the budget-friendly path. It’s a smart choice if you’re making more than one item—bracelet plus ring, for example—or if you want to experiment with shapes and settings.
• Silver (85k/gram) is for when you want that classic look and you’re willing to pay based on weight.

Stones: start with 1 setting, add more only if you really mean it

The workshop includes studio time and up to 1 stone setting. The stones themselves aren’t included. This approach is great for first-timers because it prevents the common problem: people over-order gems they never had time to decide on.

If you want multiple stones, you can. Just expect to pay:

• Extra stone setting: 25k each (first one free)
• Stones and crystals are priced separately, starting from 8k

If you love a specific gem, you can build around it. If you’re not sure what suits your style, the shop is there to guide your instinct.

Gold plating (optional, and clearly priced)

Gold plating is available at 60k per gram, and gold is on request. If you want the plated look without committing to a full gold piece, this is likely your route. Just factor it into the budget early, because plating cost scales with how much metal is involved.

150 minutes inside: from sketching ideas to wearing your own piece

The heart of the experience is simple: you get 2.5 hours in the studio. You’ll design, and you’ll craft your jewelry with help from Balinese silversmiths. The best part is that you’re not watching someone else make your souvenir. You’re making it.

Based on how the class is run and the way people describe it, your flow looks something like this:

• You start with design time and inspiration. There are templates and inspiration references, and you can draw out your idea.
• You choose your metal (silver or brass) and get set up to make your piece.
• You work your design into the jewelry form, with staff guiding you and explaining what to do.
• You place your chosen stone(s). The first stone setting is included; adding more changes the cost.
• You finish up and leave with your created piece.

The reviews highlight a key strength: the staff push you to do the work yourself, but they don’t drop you. People specifically mentioned clear guidance through steps, and how the team stays patient even if you change the design multiple times (one review described changing the design three times).

There’s also a practical tip built into how extra design works. Extra design is free, but you need to keep it fast—extra time may apply. Translation: say yes to creativity, but don’t turn your workshop into an all-day art project unless you’re ready for the additional time fee.

One small but memorable detail: at least one person added stamping—like writing BALI—on their ring. If that idea appeals to you, consider it early so it fits into your timeline.

The crystal shop time: how to pick stones without panicking

The workshop is supported by a gemstone and crystal gallery that functions like a decision tool. You can browse and choose stones while you’re figuring out your final design.

That’s important because stone choice affects more than color. It affects:

• how your setting looks
• whether your design needs to stay simple or can be more detailed
• how you manage your one-included-stone-setting structure

If you want to use stones, the advice is to come a bit earlier to browse so you don’t feel rushed. That’s one of those logistics tips that really does change the experience. When you browse at the last second, you end up choosing based on what’s easy, not what calls to you.

Also, the studio has plenty of variety. People mention a wide selection and that they were able to buy stones to incorporate into their piece. So if you fall in love with something you didn’t plan for, you’re not stuck with a single option.

How the team makes the workshop feel relaxed (not stressful)

A jewelry class can go two ways: calm and supportive, or chaotic and rushed. Here, the reviews heavily point toward calm.

People repeatedly mention:

• patience when designs change
• a friendly, helpful approach that makes you feel more like a person than a customer
• clear instructions and guidance through the process

Raymond (also referred to as Ray) comes up in multiple accounts as a major part of the experience. Several people described him and the team as smiling, conversational, and generous with help. I like that because it signals something practical: if you’re not confident with making things, you’re still going to have a fair shot at finishing something you’re proud of.

One review also noted a good balance between staff help and personal work—meaning you won’t feel like the process is taken out of your hands. That’s exactly what you want in a workshop where the goal is a souvenir with your own decisions behind it.

Where Ubud traffic and timing can trip you up

Ubud is gorgeous, but it can be slow. The studio specifically warns about heavy traffic and road closures tied to ceremonies. It also gives a practical solution: if traffic isn’t moving within a 1 km radius, you may be directed to walk.

So my advice is to treat this like an appointment that deserves buffer time. Don’t plan a hard second activity right after your workshop unless it’s something flexible. Jewelry making runs on time, and you’ll enjoy the stone browsing more if you arrive with calm energy instead of racing your schedule.

If you can, plan your day so you’re not trying to do three complicated things in one stretch. This is a hands-on craft session. It works best when you can slow down.

Who should book this jewelry workshop in Ubud

This workshop is a strong match if you want:

• a personal souvenir you helped create
• an activity that’s creative but still guided
• a clear system where you can control the final cost through metal choice and number of stones
• a relaxed studio atmosphere with patient help

It may be less ideal if:

• you want a fully predictable, all-in price (because materials and stones add up based on choices)
• you’re in a strict rush and can’t spare a full 150 minutes plus some time for browsing stones
• you want guaranteed gold (since gold is on request, and plating has its own cost)

For couples, it can be extra fun because you can each design your own piece—rings and bracelets show up a lot in the kinds of creations people leave with.

If you like crafts, design, or just the satisfaction of making something with your own hands, this fits nicely into a Bali plan.

Should you book Parallel Universe Jewelry Making in Ubud?

I’d book it if you want a creative Bali activity where you’re not just picking a pre-made souvenir. The combination of a patient team, hands-on making, and a stone shop you can use during your session is a rare mix—many classes have one of those, not all three.

I’d think twice if you’re only interested in the cheapest possible price, because the $30 figure covers the class fee, not the materials. If you plan to keep it brass-friendly and choose just one included stone setting (then decide later about extras), you’ll likely feel like you got your money’s worth.

If you want something memorable, personal, and realistically priced for what you’re doing, this workshop is a solid bet—especially in a place like Ubud, where the best days are the ones that feel slower than your itinerary.

FAQ

What is included in the $30 price?

The $30 is for the class fee (studio time and instruction). Materials are not included, and you pay for what you use.

How long is the workshop?

It runs for 150 minutes (2.5 hours).

What materials can I make jewelry with?

You can make with silver or brass. Gold is available on request, and gold plating is available as an add-on.

Are stones included in the class fee?

Stones are not included. You can choose stones and crystals from the gallery/shop, and pay for them separately.

Can I set more than one stone?

The workshop includes up to 1 stone setting. Extra stone settings cost 25k each (and stones are not included).

What does extra design cost?

Extra design is free, but you need to keep it fast. Extra time may apply if you go beyond the scheduled pace.

Where do I meet for the class?

Enter The Garden and go to the left corner by a Japanese Bamboo Library.

Is the workshop wheelchair accessible?

Yes, it’s listed as wheelchair accessible.